Chris’s review published on Letterboxd:
Debut feature by the American auteur. Set in New York amongst a group of upper-class college friends who are joined by an outsider. The strength of Metropolitan is the witty, rich, rewatchable dialogue. It feels like a labour of love. The performances and vocal deliveries are mostly deadpan, giving the impression of artificiality with the writer/director pulling the strings and the actors as puppets. The music and outfits are posh. The story may be satirizing the lifestyle but if so it’s done tastefully without making them into clowns. A group disbanding is something many experience when they are young.
The deadpan style is not dissimilar to other indie directors such as Hal Hartley, Wes Anderson and Aki Kaurismäki, although Stillman is arguably the most intellectual of these filmmakers.
Now I understand the name of Dan’s blog Public Transportation Snob, a quote from the movie.