Matt Strohl

Matt Strohl Pro

Favorite films

  • The Intruder
  • Muriel, or the Time of Return
  • The Round-Up
  • Forrest Gump

Recent activity

All
  • Killer Condom

  • Requiem for a Vampire

    ★★★★

  • Bad Therapy

    ★★★

  • Ladies in Retirement

    ★★★

Pinned reviews

More
  • Song to Song

    Song to Song

    ★★★★★

    My piece for the upcoming volume Life Above the Clouds: Philosophy in the Films of Terrence Malick, on the relevance of Plato to Knight of Cups and Song to Song. I decided to just post it on my blog to make it easier to incorporate pictures. 
    strohltopia.com/2021/08/24/platonic-myths-of-eros-in-knight-of-cups-and-song-to-song/

  • The Intruder

    The Intruder

    ★★★★★

    Most of Denis’ work has an elliptical quality; she forsakes the usual connective tissue of exposition and instead shows us evocative shards of narrative. L’Intrus pushes this tendency to its far extreme. At one point, we see the film’s unsympathetic protagonist, Louis Trebor, go to sleep in Geneva, Switzerland and then we see him wake up in Busan, South Korea. Further confounding the narrative, surreal waking events are juxtaposed with dreams in a way that unsettles the distinction between the…

Recent reviews

More
  • Ladies in Retirement

    Ladies in Retirement

    ★★★

    This is so good until the last act. The blackmail plot sorta fizzles for me.

  • Bad Therapy

    Bad Therapy

    ★★★

    More Alicia Silverstone madness. This is actually a pretty close companion piece to The Requin, with wall-to-wall shrill marriage catharsis (and Silverstone leaning all the way in) but replacing the floating hotel room and sharks with an evil therapist.

Popular reviews

More
  • X

    X

    ★★

    This review may contain spoilers. I can handle the truth.

    Saw this in nearly perfect circumstances: 10pm at a random multiplex in El Paso amidst a Texas road trip. Alas, I did not like it. It relies *way* too much on the shock and disgust of naked old people, which is both unimpressive and overdone. The Shyamalan version is less derogatory and more effective. I hate the makeup. I do not like the desaturated digital cinematography. It looks washed out and self-consciously retro, and precludes the sun-drenched intensity that is…

  • Dark Glasses

    Dark Glasses

    ★★★★½

    Connoisseurs of late style: assemble. If Argento’s received classics are grand operas of fear, this is a late-career piano sonata. Zero interest in the bad takes here. I totally understand not liking Argento, but fawning over his 70’s and 80’s stuff and then beating up on this is a horrible opinion, and what’s worse, a boring one. 

    I’ll have more to say about this once I let it marinate and rewatch it. A couple brief remarks: it’s very clear who…