Max Cunningham’s review published on Letterboxd:
From what I've seen, this is Bong Joon-ho's most obvious film. The political messaging in it doesn't have the same snake-eating-its-own-tail vibe that his other films do, but that's okay. Because animals are awesome, and corporate slaughterhouses are terrible. Plus, Okja has a kick-ass script and looks totally dynamite on-screen.