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From October 14th, Tickets Here🎟️
A new twist on one of the oldest tropes in horror, Metrograph’s Haunted House program…
Personally curated titles joining the Metrograph At Home library this month.
Join us now. Metrograph At Home
Personally curated titles joining the Metrograph At Home library this month.
Join us now. Metrograph At Home
Opens September 29th at Metrograph.
His active career spanning from the glory days of the New German Cinema to the…
Starting September 1st, Tickets Here🎟️
The latest addition to the veritable Noah’s Ark that is Metrograph’s ongoing “Animal Farm” series…
From September 1st, Tickets Here🎟️
“Equal parts unabashed romantic and inventive formalist, prolific French filmmaker Paul Vecchiali (1930-2023) was a…
MUBI US 99 films
Daniel Carolan 39 films
Will Harahan 74 films
Playing at Metrograph starting September 2nd, Tickets Here🎟️
The late Chantal Akerman was only 24 years old when she and her nearly all-female crew made this, her 1975 masterpiece, proclaimed the greatest film ever made in the 2022 Sight & Sound poll. Over the course of three days—distilled into three entrancing hours of cinema—the life of a woman (Delphine Seyrig) is not just captured but articulated, not with big dramatic turns but with the repetitive, near-tedious, yet hypnotically compelling natural rhythms…
Watch exclusively on Metrograph At Home
The psychedelic carpets lining our hotel hallways, casinos, and convention centers can be traced to one town: Dalton, Georgia, the “Carpet Capital of the World.” In this bastion of American manufacturing, we find an interwoven set of locals who are the unsung creators and developers behind the majority of the country’s carpets, always looking at the ground for their next big break.
Among them is Roderick James, a Scottish expat and freelance textile designer…
HAPPY TIMES WILL COME SOON.
Screening from August 4th at Metrograph.
Tickets Here🎟️
Comodin’s singularly audacious film is a timeline-skipping reverie in triptych form: in its first chapter, two young men, Arturo and Tomasso, escape the battlefields of World War II to enjoy a rustic idyll in the golden Aosta Valley of northwestern Italy; in the second, a folk tale involving a wolf’s abduction of a young Frenchwoman, Ariane, is first recounted, then visualized in modern dress; in the third,…
ETERNAL SUNSHINE OF THE SPOTLESS MIND will be screening at Metrograph, starting August 11th. Tickets Here🎟️
Ex-lovers Jim Carrey and Kate Winslet individually decide to undergo an experimental procedure that will expunge their painful memories of one another from their brains in Gondry’s high-concept science-fiction heartbreaker from a script by Charlie Kaufman, featuring a plaintive Jon Brion score and images of faded loveliness courtesy DP Ellen Kuras. “Cerebral, formally and conceptually complicated, dense with literary allusions and as unabashedly romantic as any movie you’ll ever see.”—The New York Times
Typical Kaufman (atypical Anyone Else), so:
Simultaneously dripping with cynicism and glowing with hope, the cold steel skeleton of high-concept sci-fi fleshed up with the warm fuzziness of human oddity. It aches, it flutters, it looks and feels like nothing else on Earth and yet it pins down more or less exactly how it feels to love and feel on Earth
the last ten minutes of this movie are genuinely so gut-wrenching i could talk about how this movie makes me feel for HOURS
we need a movie like this for every president. i want kirsten dunst and michelle williams to intervene in all 46 presidencies.
Fuck having a boss fr
Playing at Metrograph this weekend, Tickets Here🎟️
One of today’s most captivating actors, Vicky Krieps joins 7 Ludlow to present a curated selection of her most personal films, spanning spellbinding roles in European arthouse dramas to stellar turns in big-budget American movies. Ever since her performance in 2014’s The Chambermaid Lynn drew the attention of visionary Paul Thomas Anderson, who cast her in her explosive breakout as the unforgettable waitress-cum-muse Alma in Phantom Thread, the Luxembourgish actor has infused each and every role that she has taken on over the past decade with a sensational mix of tranquil dignity, vulnerability, ferocity, and melancholic grace. Her secret? She’s a rebel at heart who thrives as an unseen force, fighting for art.
From her complex portrayal of a mother, partner, and artist in Mia Hansen-Løve’s Bergman Island, to her raw explorations of grief and love in Mathieu Amalric’s Hold Me Tight and Emily Atef’s More Than Ever, or her daring reinvention of the famed Austrian Empress Sissi in Marie Kreutzer’s Corsage, Krieps’s career can be seen as an ongoing and profound exploration of womanhood, motherhood, and identity. Join us in celebrating this enigmatic chameleon, who effortlessly bridges two continents, and whose artistry invites us to ponder the essence of serenity and rebellion.