An experiment in meshing the film-grain-and-synth-pulse Good Time thriller style with Dardennesque social realism, and the experiment is successful I suppose in that they totally pulled off what they were trying to do, but also unsuccessful in that it demonstrates you probably shouldn't do that. Safdie films are very stressful, yes, but they're also a lot of fun; take away the fun, take away any promise of a big score, a perfect getaway, and all you have left is the…
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Return to Seoul 2022
Congratulations to Mubi, they made a trailer so good it actually tricked me into seeing an arthouse film about a young woman caught between two cultures who reconnects with her biological father. And that bait-and-switch did sort of define the film for me, because I maintain this is in fact a hopelessly conventional indie drama imbued with an undeserved cool factor via a magnetic lead and some nice grainy photography. Those last few scenes, come on.