Michael’s review published on Letterboxd:
There are a lot of things that you can talk about in this film. Like is it better to embrace the absurd rather than cling to something or someone, no matter how false, for hope? I don’t know, but being immersed in Bela Tarr’s world in an attempt to answer these questions is an experience worth something.
The biggest question for me is why the fuck did that one man balance a bread on his head for 10 minutes straight.