I’m knocked out. Learn nothing about this movie and let its singularity wash over you. Michael Tolkin is a great stylist staging bodies here, but his script and its dialogue is really what makes the movie sing—it’s such an all-angles character study.
That’s why it’s a showcase that results in Mimi Rogers’ best performance, one full of steely precision where the audience needs to be convinced of her new purpose as much as her peers do. It’s a glamorous display…