• Past Lives

    Past Lives

    ★★★★½

    “I wish I could dream in your language.”

  • Beau Is Afraid

    Beau Is Afraid

    You can tell by the midpoint that Ari Aster was staring at the Final Draft document with a bottle of Jim Bean and a loaded gun

  • Infinity Pool

    Infinity Pool

    Frustrating that there’s a really good movie in here about the artistic struggle but baby Cronenberg opts instead for a class commentary that doesn’t contribute anything remotely insightful to the conversation.

  • TÁR

    TÁR

    ★★★★★

    Particularly struck upon second viewing with Tar’s response (and resistance) to the realization that this world she once knew is past the point of no return. Never about power, it was always the music. Wouldn’t even fucking know where to start conceptualizing a film like this. What a picture.

  • Babylon

    Babylon

    ★★★★½

    Absolutely insane that Chazelle ever got this green lit. Thankful he didn’t bitch out on all of the macabre Hollywood-gossip that he’s so obviously recontextualizing here (lots from Kenneth Anger’s book). I finally think Chazelle’s found a lane where his style actually enhances its subjects — something I thought he always lacked in prior work.

    Diego Calva, a movie star.

  • Avatar: The Way of Water

    Avatar: The Way of Water

    James Cameron directs like he’s trying to save cinema but writes like he’s trying to kill it.

  • The Whale

    The Whale

    Really puzzled as to why Aronofsky would ever decide to shoot for this level of melodrama (especially for something this rigidly choreographed, no less) when the source material was never that strong enough to begin with. Also, when will the 4:3 renaissance end? 

  • The Fabelmans

    The Fabelmans

    ★★★★½

    Idgaf inject this into me

  • Aftersun

    Aftersun

    ★★★★½

    Memories unfolding through the eyes of a viewfinder and how little they make sense after the fact. Sometimes giving love just isn’t enough.

  • White Noise

    White Noise

    Me and the boys threw ass during the end credit sequence.

  • Don't Worry Darling

    Don't Worry Darling

    Harry Styles has two facial expressions: “I don’t understand what language you’re speaking” and “I’m two seconds away from bursting out into tears”

  • Blonde

    Blonde

    Would not recommend with an audience.