NEON

NEON HQ

๐•Ž๐•’๐•ฅ๐•”๐•™ โ„•๐• ๐•จ: Eileen, Anatomy of a Fall, The Royal Hotel, It Lives Inside, Oldboy
โ„‚๐• ๐•ž๐•š๐•Ÿ๐•˜ ๐•Š๐• ๐• ๐•Ÿ: Ferrari, Origin

Stories

Liked reviews

Eileen

Eileen

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Lifted off the book, page by page, loyally. Not just in story, but in the filth that encases it as well

Eileen

Eileen

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WE'RE BACK, BABY!

Not just another entry in "attempts to make a 90s thriller in 2023", this would have been one of the best thrillers of the 80s or 90s!

GORGEOUSLY shot, IMPECCABLY scored, DELICIOUSLY acted

Might not end as strong as it carries itself for the first 95%, but that's because if it had it would have become an all-time classic.

This should be in the Best Picture race. Not that it should win Best Picture, but it deservesโ€ฆ

Eileen

Eileen

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best christmas movie since eyes wide shut

Eileen

Eileen

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I knew this was going to be good when I saw its based on a book by Ottessa Moshfegh! This film is cast perfectly! Love the overall style and it was unexpectedly funny at times.

Eileen

Eileen

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That first shot of Anne Hathaway is the reason moving pictures exist

Eileen

Eileen

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*i couldnโ€™t log this when i watched it but i think iโ€™m allowed to now

the anxiety this movie gave meโ€ฆ literally still had heart palpitations on the subway ride home

need a rewatch asap. wrote a think piece about this after i saw it and want to write one again.

Ferrari

Ferrari

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In case you werenโ€™t convinced of Mannโ€™s persistent divisiveness, at my first screening the credits rolled to silence. I left and walked straight into another, which ended a few hours later with raucous applause. No more go-fast boatsโ€”this time the reclamation starts two months prior to release. If you get into one of his cars, you get in to win. Buckle upโ€ฆ

Ferrari

Ferrari

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The contrast between Driver and Cruzโ€™s impressionistic performances and the exact Modena locations, the meticulous recreations of actual Ferrari enginesโ€ฆ itโ€™s unlike anything Mann has done before. What is the opposite of Thief? Little stylization, less handheld and more stationary cameras, panning and racking focus between characters as they command rooms, fixed to cars as they command the road. Itโ€™s a new visual language for Mann to communicate the life-affirming and doomsaying power of everything in front of his camera.โ€ฆ