𝕎𝕒𝕥𝕔𝕙 ℕ𝕠𝕨: Eileen, Anatomy of a Fall, The Royal Hotel, It Lives Inside, Oldboy
ℂ𝕠𝕞𝕚𝕟𝕘 𝕊𝕠𝕠𝕟: Ferrari, Origin
2017 to the Future.
NEON Filmography 86 films
2017 to the Future.
Mark Jenkin's Criterion Closet Picks 17 films
"This does mean I'm going to have to buy a multi-region Blu-ray player..."
Mark Jenkin, director of Enys Men and…
BEBA Creative Inspirations 34 films
"By no means is this a complete list of my favorite films, just what influenced/came up for this particular project.…
Nicolas Cage's Inspirations 7 films
Nicolas Cage delivers one of the most acclaimed performances of his career in PIG, directed by Michael Sarnoski. Here, he…
Lifted off the book, page by page, loyally. Not just in story, but in the filth that encases it as well
WE'RE BACK, BABY!
Not just another entry in "attempts to make a 90s thriller in 2023", this would have been one of the best thrillers of the 80s or 90s!
GORGEOUSLY shot, IMPECCABLY scored, DELICIOUSLY acted
Might not end as strong as it carries itself for the first 95%, but that's because if it had it would have become an all-time classic.
This should be in the Best Picture race. Not that it should win Best Picture, but it deserves…
I knew this was going to be good when I saw its based on a book by Ottessa Moshfegh! This film is cast perfectly! Love the overall style and it was unexpectedly funny at times.
*i couldn’t log this when i watched it but i think i’m allowed to now
the anxiety this movie gave me… literally still had heart palpitations on the subway ride home
need a rewatch asap. wrote a think piece about this after i saw it and want to write one again.
In case you weren’t convinced of Mann’s persistent divisiveness, at my first screening the credits rolled to silence. I left and walked straight into another, which ended a few hours later with raucous applause. No more go-fast boats—this time the reclamation starts two months prior to release. If you get into one of his cars, you get in to win. Buckle up…
The contrast between Driver and Cruz’s impressionistic performances and the exact Modena locations, the meticulous recreations of actual Ferrari engines… it’s unlike anything Mann has done before. What is the opposite of Thief? Little stylization, less handheld and more stationary cameras, panning and racking focus between characters as they command rooms, fixed to cars as they command the road. It’s a new visual language for Mann to communicate the life-affirming and doomsaying power of everything in front of his camera.…