Favorite films

  • The Cameraman
  • Man with a Movie Camera
  • Good Morning
  • PlayTime

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  • Ingmar Bergman

    ★★★½

  • The Domain of the Moment

  • Duplicity III

  • Sardinia

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  • Il Buco

    Il Buco

    ★★★★½

    The youngsters who chose to sneak their way underground in 1961 were extraordinary, bold, daring; they went against the prevailing forces of their era, and worked “for free” for the rest of us, in a way. But they were also unmistakably involved in a kind of colonization, as you say: they gave a shape to an erstwhile unshaped world. The minute they started mapping the contours of that cave they stripped it of all its myths. [They gave it] a…

  • Irma Vep

    Irma Vep

    Episode 6, "The Thunder Master" (50 min)

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  • Bacurau

    Bacurau

    "Cinema de propaganda: uma coisa que encolhe o mundo. Trata-se de encolher o mundo, colocá-lo na medida da freguesia que se pretende atingir, oferecer soluções simples, ou antes, simplistas, mas eficazes.

    O cinema de propaganda é o inverso da arte."
    - Inácio Araújo

    Sendo cinema "um olhar que se substitui ao nosso para nos dar um mundo em acordo com nossos desejos", faz sentido o Kléber ter feito um filme tão afinado com a esquerda brasileira mais reacionária, elitista e…

  • Orson Welles' Sketch Book

    Orson Welles' Sketch Book

    ★★★★

    CAHIERS: What is your position vis-à-vis large screen or colour? Do you think that it is better to orient oneself towards the small screen and the poverty of television?

    ORSON WELLES: I am convinced that when the screen is big enough, as in the case of Cinemiracle or Cinerama, it is also a poverty, and I love it: I would love to do a film with one of these two processes. But between the Cinemiracle and the normal screen, there…