RadianceFilms has written 24 reviews for films during 2023.

  • Scream and Scream Again

    Scream and Scream Again

    A serial killer runs amok over London, draining his victims of their blood. A mad doctor performs experimental surgery on his victims, taking them apart limb by limb. A shady organisation from Eastern Europe is involved in some way while intelligence officer Fremont investigates. Bringing together the biggest horror stars of the era in Vincent Price (Witchfinder General), Christopher Lee (Dracula: Prince of Darkness) and Peter Cushing (Dr. Terror’s House of Horrors) Amicus Productions pulled out all the stops to…

  • The Dead Mother

    The Dead Mother

    Ismael (Karra Elejalde, Timecrimes) breaks into the house of a fine art restorer and shoots the homeowner dead, leaving her daughter orphaned and traumatized for life. Years later Ismael is working in a bar where he sees the daughter again. Paranoid that she has recognised him and will report him, he kidnaps her and holds her hostage, demanding that her hospital pay a ransom for her release. As he spends more time with her a strange bond develops that causes…

  • Il Sorpasso

    Il Sorpasso

    Comedy ruled the box office in Italy from the late 1950s to the 1970s where the commedia all’italiana also found critical success. Great talent behind and in front of the camera delivered a series of brilliant films that gave an incredible spin on familiar genres with comedic overtones that often held a dark and biting critique of social mores that would provoke a challenge to a society in need of change. Feted at local awards ceremonies and European festivals as…

  • Love and Larceny

    Love and Larceny

    Comedy ruled the box office in Italy from the late 1950s to the 1970s where the commedia all’italiana also found critical success. Great talent behind and in front of the camera delivered a series of brilliant films that gave an incredible spin on familiar genres with comedic overtones that often held a dark and biting critique of social mores that would provoke a challenge to a society in need of change. Feted at local awards ceremonies and European festivals as…

  • The Widower

    The Widower

    Comedy ruled the box office in Italy from the late 1950s to the 1970s where the commedia all’italiana also found critical success. Great talent behind and in front of the camera delivered a series of brilliant films that gave an incredible spin on familiar genres with comedic overtones that often held a dark and biting critique of social mores that would provoke a challenge to a society in need of change. Feted at local awards ceremonies and European festivals as…

  • A Moment of Romance

    A Moment of Romance

    Small-time hood Wah Dee (Andy Lau, Infernal Affairs) is enlisted by Triad boss Trumpet (Tommy Wong, The Killer) as a getaway driver for a daring heist that goes wrong. Thinking fast Dee takes Jo Jo (Jacklyn Chien-Lien Wu, The Barefooted Kid) hostage to save his skin, but the bosses order her to be killed. They escape and begin a forbidden relationship while being chased by both sides of the law. Produced by Johnnie To (Throwdown) and Ringo Lam (City on…

  • Messiah of Evil

    Messiah of Evil

    A woman arrives in a sleepy seaside town after receiving unsettling letters from her father, only to discover the town is under the influence of a strange cult that weeps tears of blood and hunger for human flesh. From Willard Huyck and Gloria Katz, the writers of American Grafitti, Indiana Jones and the Temple of Doom and Howard the Duck, this dreamy and atmospheric film transposes the post-Night of the Living Dead zombie movie to a surreal small-town American setting,…

  • O.C. and Stiggs

    O.C. and Stiggs

    The Utterly Monstrous, Mind-Roasting Summer of O.C. and Stiggs

    O.C. and Stiggs are a pair of sharp teens who carry out a vendetta against middle-class neighbour Mr. Schwab as his insurance company has cancelled O.C’s grandfather’s retirement policy. From characters created by Ted Mann and Tod Carroll of the National Lampoon (the magazine that ushered in the biggest comedy of the era in Animal House), Robert Altman brought O.C. and Stiggs to the screen, a blazing satire of 1980s America.…

  • Thieves Like Us

    Thieves Like Us

    A group of criminals daringly escape from prison in depression-era Mississippi. They survive by robbing banks and hole up with a gas station attendant where injured Bowie (Keith Carradine, Nashville) falls in love with the attendant’s daughter Keechie (Shelley Duvall, 3 Women). Made within one of the great runs of back-to-back classics by any filmmaker, Robert Altman followed multi-award-winning classics like M*A*S*H and The Long Goodbye with Thieves Like Us, an adaptation of Edward Anderson’s pulp novel. Previously adapted by…

  • The Hot Spot

    The Hot Spot

    Harry, a drifter (Don Johnson, Miami Vice) rolls into town and talks his way into a job at a car dealership where he becomes caught between two beautiful women, the boss’s conniving wife Dolly (Virginia Madsen, Candyman) and Gloria (Jennifer Connelly, Requiem for a Dream) a naive young accountant whose life is complicated by blackmail. When Harry plans to rob the local bank, he becomes enmeshed in a lethal web of lust, greed and extortion, whose only escape is murder.…

  • Yakuza Graveyard

    Yakuza Graveyard

    When he falls for the beautiful wife of the jailed boss of the Nishida gang, things start to spiral out of control for detective Kuroiwa (Tetsuya Watari, Graveyard of Honour). In a world where the line between police and organised crime is vague, he finds himself on the wrong side of a yakuza war when his superiors favour Nishida’s rivals, the Yamashiro gang. Co-starring the iconic Meiko Kaji (Lady Snowblood) and featuring Nagisa Oshima as chief of police, Yakuza Graveyard…

  • The Bride Wore Black

    The Bride Wore Black

    Jeanne Moreau (Jules et Jim) stars as the titular bride, who after marrying her love sees him murdered on the steps outside the church. From here she enacts her ruthless revenge on the group of men responsible. Undoubtedly an influence on Quentin Tarantino’s Kill Bill, François Truffaut’s The Bride Wore Black was itself influenced by the director’s idol, Alfred Hitchcock. Adapting celebrated crime writer Cornell Woolrich (who was also the author of the short story Hitchcock’s Rear Window is based…