RadianceFilms has written 24 reviews for films with no rating during 2023.

  • By a Man's Face Shall You Know Him

    By a Man's Face Shall You Know Him

    A community struggles against immigrant gangs in the ruins of postwar Tokyo. Only doctor Amamiya (real-life ex-yakuza Noboru Ando) can save them, but he had enough fighting in the war. His pacifism is severely tested by the gangs’ increasingly outrageous taunts and when his neighbours decide to take matters into their own hands, Amamiya is forced to take action. The consequences prove to be much more far-reaching than he could ever foresee. With a story spread across three time periods,…

  • Black Tight Killers

    Black Tight Killers

    After wooing stewardess Yoriko (Chieko Matsubara, Tokyo Drifter), war photographer Hondo (Akira Kobayashi, Battles Without Honor and Humanity) sees her kidnapped by a team of deadly female assassins who use vinyl records as weapons. Investigating her whereabouts, Hondo uncovers a conspiracy to steal a buried stash of WWII-era gold. Soon he must dodge go-go dancing ninjas and chewing-gum bullets to save Yoriko, whose family secret is tied to the hidden treasure. Every bit as stylish and inventive as the wildest…

  • Allonsanfan

    Allonsanfan

    After the fall of Napoleon, the Restoration begins. Fulvio (Marcello Mastroianni, La dolce vita), an aristocrat who has dedicated his life to the revolution has become disillusioned and his cowardice keeps him from joining his comrades. As he struggles to manage his evasion and lies he gets swept up in a suicidal uprising in Southern Italy. Stunningly photographed with lush period detail and featuring the Taviani brothers' trademark magic realism and absurdist irony, Allonsanfàn has Mastroianni on top form as…

  • I, the Executioner

    I, the Executioner

    A man brutally murders a woman after forcing her to write the names of four others. As the murders pile up, the police investigate the links between the victims and how they may be connected to the suicide of a young boy in the same building. Directed by Tai Kato (By a Man’s Face You Shall Know Him), a former apprentice of Akira Kurosawa better known for his yakuza films, I, the Executioner is a pitch black neo noir that…

  • Goodbye & Amen

    Goodbye & Amen

    John Dannahay (Tony Musante, The Bird with the Crystal Plumage), a CIA agent stationed in Rome, is planning to overthrow an African government. But his plan goes wrong when a corrupt colleague starts shooting people from the roof of a hotel, taking an innocent couple hostage. Director Damiano Damiani (How to Kill a Judge) wields expert tension in this gripping espionage thriller, twisting and turning its tight plot to its sensational finale. Featuring a fantastic supporting cast including Claudia Cardinale…

  • The Sting of Death

    The Sting of Death

    In the aftermath of World War II, a writer’s love affair with another woman drives his wife mad with distrust. Realising his errors, he tries all he can to save her from literally losing her mind. Kohei Oguri’s haunting adaptation of the novel by Toshio Shimao is shot in a hyperreal style that is equal parts painterly and unflinching. Featuring striking set design, powerful lead performances and a vivid evocation of small-town life in postwar Japan, The Sting of Death…

  • I Am Waiting

    I Am Waiting

    Available as part of World Noir Vol 1

    Though widely considered an American filmmaking style, film noir was first applied by French critics to the visual and thematic darkness of the flood of American films in the post-War period. Those films, often by European emigré filmmakers, were influenced by European filmmaking modes, notably French poetic realism and Weimar cinema. The American noirs that flourished in the 1940s and 1950s in turn influenced cinema around the world again. This ongoing box…

  • The Facts of Murder

    The Facts of Murder

    Available as part of World Noir Vol 1

    Though widely considered an American filmmaking style, film noir was first applied by French critics to the visual and thematic darkness of the flood of American films in the post-War period. Those films, often by European emigré filmmakers, were influenced by European filmmaking modes, notably French poetic realism and Weimar cinema. The American noirs that flourished in the 1940s and 1950s in turn influenced cinema around the world again. This ongoing box…

  • Witness in the City

    Witness in the City

    Available as part of World Noir Vol 1

    Though widely considered an American filmmaking style, film noir was first applied by French critics to the visual and thematic darkness of the flood of American films in the post-War period. Those films, often by European emigré filmmakers, were influenced by European filmmaking modes, notably French poetic realism and Weimar cinema. The American noirs that flourished in the 1940s and 1950s in turn influenced cinema around the world again. This ongoing box…

  • The Graceful Brute

    The Graceful Brute

    In their humble two-room apartment, the Maeda family seem ever so self-effacing - but their modest façade hides another truth. Daughter Tomoko is the mistress of a bestselling author with well-lined pockets. Son Minoru embezzles funds with his lover Yukie (Ayako Wakao, Red Angel), who has her own hidden agenda. And father Tokizo (Yunosuke Ito, Ikiru, Lone Wolf and Cub) is a former military man who swears he will never return to the poverty he knew during the war, no…

  • Visible Secret

    Visible Secret

    Spirits lurk everywhere in Ann (Boat People) Hui’s horror-comedy, Visible Secret. Instantly infatuated by enigmatic amnesiac June (Shu Qi, Millennium Mambo) who has the ability to see spirits, Peter is swept into a world where he has one foot in the past, one in the present, and somehow has to figure out which is which. Beautifully shot by legendary cinematographer Arthur Wong (The 36th Chamber of Shaolin, Iron Monkey), Visible Secret is a slick and sexy horror-comedy that reflects the…

  • The Horrible Dr. Hichcock

    The Horrible Dr. Hichcock

    One day the necrophiliac tendencies of Dr Hichcock (Robert Flemyng, The Quiller Memorandum) go too far and his wife dies from an overdose. Bereft, the doctor leaves his house but returns years later with a new wife, Cynthia (Barbara Steele, Black Sunday). The house they return to is eerie and Cynthia hears strange things, meanwhile, she doesn’t realise Dr Hichcock intends to use her body to re-animate his dead wife's corpse. Released at the height of the Italian horror boom…