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Paris, Texas 1984
nuclear family as prewritten damnation. you cannot escape who made you. posited beside a gentle child, the viewer understands exactly what that child is doomed to become. i find it more like a horror movie set in the glorious west than a film romanticizing the events or the western setting. it hangs damoclesian above them all: this broken love will end them. and the circle goes right back circling, orobouros, the minute mother and child are united. it was never a love story. it was never joyful. this is my last straw man
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Bones and All 2022
one of my favorite movie breakdowns/admissions of guilt AND movie kiss right back to back
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Taste of Cherry 1997
agonizing. dignified. desperate. to ask yourself, does he live?, and know that you are the only one who knows the answer. &, of course, a love letter to Iran.