In the end, I enjoyed the film; it's far from the worst Marvel film, it's not flawless, and it has faults, but the ambition of the film and how different it seems truly won me over.
On the plus side, I like how visually appealing the film is; the shots of the landscapes and the cosmic aspects are particularly outstanding; I also appreciate the various silent moments characteristic of Chole Zhao filmmaking; I liked the characters, though I would have…
I'm not sure what to make of this film; there are aspects of it that I really like, but there are also a lot of decisions that don't add up for me.
First and foremost, I want to highlight that I am a huge fan of Edgar Wright's work; I adore his films, and Last Night in Soho is, in my opinion, his least remarkable endeavor.
On the positive side, I can say that the film is excellently crafted; the…
Minari is definitely the kind of film that American cinema needs so badly, stories that portray human realities and don't fall into melodrama and clichés to be commercially viable.
Minari is the definition of a slowburn, the film introduces you to this immigrant family and you watch their daily lives, much of the film is just this, which makes you really care about this family and when the end comes it is even more powerful.
Lee Isaac Chung's direction is…
The father is as heartbreaking as it is terrifying, captured in the point of view of a man who, as a result of dementia, loses the notion of reality itself.
This film has some of the most powerful scenes I've watched all year, the first fifteen minutes in particular are masterful. The ending is also incredibly powerful and sad. Florian Zeller's direction and screenplay are really strong. The score based on classical music really fits the film and gives power…
