Grim, patient and foreboding. Puts the majority of the “art-house horror” genre to shame in style and narrative, without ever really veering into that categorization. 

Impeccably well-lit, low light shots and edited with a distinct rhythm it is no surprise Prior has spent so much time around Fincher. 

REALLY good. 

Also, special shoutout to a talented team of visual fx colleagues who did some pretty beautiful work here as well. It’d been so long since we worked on this it was a fun surprise to revisit a bunch of familiar shots.