This review may contain spoilers. I can handle the truth.
May December. It wasn’t filmed with that Sirk-inspired careful composition and color scheme that I’ve gotten used to from Haynes, but it looked nice in a different way: a more atmospheric, looser evocation of Savannah, with occasional glints of sunlight in the lens. And there was a lot of nice detail in the acting, unusual mundane things that most filmmakers wouldn’t think to do. (Julianne Moore affected a lisp for the role, but she was flawless and exciting, as usual.)…