Corny, sanctimonious bullshit written by an AI fed exclusively on rage-bait Tweets from 2016–2018 about racial politics in America. Nobody speaks like a real person, none of the jokes land, and the central relationship is about as believable as Rachel Dolezal’s entire existence. The Drake segment in particular illustrates everything wrong with the mid-budget studio comedy today. Like, remember when we made actual jokes instead of reeling off countless meta pop culture references? Sigh. Deeply embarrassing for everyone involved.
Favorite films
Recent activity
AllRecent reviews
More-
-
Sick 2022
A lean, mean little slasher featuring some gnarly kills and a kinetic cat-and-mouse chase sequence that goes on for the best part of an hour. Kevin Williamson's influence is very much present throughout, meaning the characters aren't just running around the house – they're smashing through walls, tumbling down stairs, and tearing the place to shreds in an all-out bid for survival. I could take or leave the Covid framework, but I'll always appreciate a slasher that knows what it…
