"René Clair, who was previously renowned for his funny, often fantastical silent films in France (The Italian Straw Hat, 1928; Under the Roofs of Paris, 1930), utilizes charming visual gags that laid the groundwork for future witch-centric popular media such as Bewitched: broomsticks appear sentient and zip around, Lake works spells next to a bubbling black cauldron, and the disembodied spirits regularly travel around in the form talking wisps of smoke."

Stephanie Monohan for Screen Slate. Featured 1/30/23 at the Museum of Modern Art.