Letterboxd — Your life in film

The writer and director of C’mon C’mon on the beauty of therapy, grief as a superpower, and the maddening toxicity of “manspreading whiteness”. Plus: his film faves, from Lanthimos to Campion, Keaton to Wenders.

The star of Sean Baker’s Red Rocket talks non-stop about rooting for the bad guy, learning how to listen, and the Letterboxd review that started it all.

As Parallel Mothers comes to US cinemas, Pedro Almodóvar fans Aaron Ruttenberg and Carlos Crespo chat about the Spanish filmmaker’s canon, queer misbehavior and cinematic debauchery.

In a Letterboxd first, we’re proud to present the debut director commentary for Jim Cummings and PJ McCabe’s Hollywood comedy-thriller, The Beta Test.

Gemma Gracewood sat down for an off-circuit chat with filmmaker David Lowery about working with Robert Redford twice (Pete’s Dragon and The Old Man & the Gun), the script behind that Ghost Story pie scene, and his secret movie spreadsheet.

Action star and Castle Falls director Dolph Lundgren on how MMA has changed movie brawls, bringing feelings to a fight, and the secret to a good headbutt (“they’re underrated!”).

Justin LaLiberty scopes out the season’s big screen greetings (and beatings) for those looking for some aggression with their eggnog.

A conversation with filmmaker Ryusuke Hamaguchi about emotional tidal waves, unique relationships, conversational car rides, and Cassavetes. 

Presenting our community’s 25 top rated festive films of all time (that you mostly watch during the holiday season).

Silent Night filmmaker Camille Griffin leans into the messy excess of the season as her movie joins The Green Knight and Spencer in the canon of offbeat, ‘WTF’ Christmas movies.

In the first of a two-part celebration of Native cinema, Leo Koziol (Ngāti Kahungunu, Ngāti Rakaipaaka) applauds the twentieth-century Native filmmakers who broke through to the big screen.

Gotham Awards acting nominee Michael Greyeyes and director-to-watch Lyle Mitchell Corbine Jr. on atrocious Native tropes, modernizing myths, and finally getting to work together on Wild Indian.

Two Filipino indies lead the Letterboxd Top 25 at the 2021 halfway point, as the coronavirus pandemic continues to shake—and reshape—the film industry. Jack Moulton and Gemma Gracewood take stock.

The Unforgivable director Nora Fingscheidt on celebrating wild children, remaking Titanic, and the force that is Sandra Bullock.

Writer-director Lauren Hadaway on finding the balance in life, escaping the culture of American student debt, and learning from the best in the business.

From Studio Ghibli classics and stop-motion delights to Akira Kurosawa’s Throne of Blood, acting sisters Thomasin and Davida McKenzie share their family holiday film favorites—along with tales of trespassing, homeschooling and the small matter of life and death.

The Green Knight director answers your questions about fox plushies, the magic sex belt, rewatching with edibles, and Dev Patel.

As his Tilda Swinton-starring film Memoria begins its infinite, one-cinema-at-a-time U.S. tour,  Apichatpong Weerasethakul wants us to stop obsessing about ourselves.

As we launch the first of our monthly dates-in-film lists, creator Laura E. Hall explains her nerdy passion for calendaring.

Letterboxd officially turned ten this past October. We asked ten members to tell us what a decade of tracking films has meant to them. (It’s meant the world to us!)