• Full River Red

    Full River Red

    Reminded me a little of the films my friend Shaun and I would make for our local church youth group (neither of us were religious or even really went to church, we just liked the free pizza and the organisers would let us screen our films there) - which were mostly evident as being what we wanted to make (silly movies with twists and turns, sudden burst of violence and many epic and cool needle drops) but would inevitably end…

  • Aloha

    Aloha

    ★★★★★

    Galaxy-brain Pynchonesque screwball romance: the lost soldier's identity crisis, his personal affairs, physical ailments and sexual exploits set against the backdrop of a conspiratorial military industrial complex, shady billionaires, BIG rockets, musical asides...Danny McBride gets an erection 5 seconds before a military funeral; Bono, Tupac (in hologram form) and Ke$ha are all invoked at different points; Bradley Cooper perpetuates imperialist aggression and immediately engages in a scene of cross-cultural harmony. Before we see anything Crowe hits us with vintage studio…

  • Burning

    Burning

    ★★★★★

  • Aerial

    Aerial

    I FEEL I WANNA BE UP ON THE ROOF
    I FEEL I'M GONNA GET UP ON THE ROOF
    I FEEL I NEED TO BE UP ON THE ROOF
    I WANNA BE UP UP ON THE ROOF

  • In These Parkas We Can Only Be Warm

    In These Parkas We Can Only Be Warm

    All is unknowable

  • Living

    Living

    Handsome movie about a handsome dude, what can I say. "Remake" does not seem like the right word for this..."cover" seems more appropriate - I find this film's relationship to Ikiru one of its most interesting qualities, which might seem weird given how faithfully it adapts AK. It's been a long time since I saw Ikiru, so I could be wrong, but it feels like there are even a great number of shots/compositions here lifted straight from the original. I…

  • Waves

    Waves

    ★★★★★

    The ideal nature film in that the images become completely taken over by their subject, the camera in reverent servitude to the majesty of what appears in front of it. You can't capture such things, you can't tame them, you can only allow them to tell you their own story through rhythms, shapes and sounds beyond our comprehension, as you gaze in ecstatic wonder. Final shot of this is so wild I thought I was hallucinating.

  • Monaco

    Monaco

    I can't claim to be the first in this great nation to obsess over the Bunnings Warehouse music, but I can tell you I was on that shit long before the YouTubers got hold of it. Since then a garden of musical homage has bloomed:
    Bunnings Theme 10 Hours
    Bunnings Warehouse Jingle Served 5 Ways, on the Guitar
    Bunnings Theme Song - Rock Cover
    Bunnings Warehouse - Synthesia Demo
    Australia and New Zealand Hardware store “Bunnings” theme song
    Bunnings Warehouse…

  • Garth Marenghi's Darkplace

    Garth Marenghi's Darkplace

    The key is the framing device, which helps skirt the cheap shots of the "intentionally so-bad-it's-good" formula by allowing us to see Darkplace through Marenghi's eyes. Every flubbed line, every ridiculous plot point, every moment of shoddy craft, becomes a testament to the hubristic struggle to bring the horror masterwork to life. Not only is this show a work of comedic genius (that wasn't so much ahead of its time as a warning of pop culture's curdling relationship with camp and nostalgia), but it's a weirdly moving portrait of the artistic process, one that made me laugh, cry and shit myself all at the same time.

  • Ambulance

    Ambulance

    Watched post-Oscars telecast, without sound and synced to:
    - Fiddler on the Roof motion picture soundtrack
    - Selma Songs by Björk
    - Koyaanisqatsi soundtrack by Philip Glass

  • Phantom of the Paradise

    Phantom of the Paradise

    Tasty, Winslow, tasty

    Shoutout to the man in the Myer centre who sold me the soundtrack on vinyl for $10 the other week, the repeated bumping of which prompted this long-overdue rewatch!

  • Mysterious Object at Noon

    Mysterious Object at Noon

    Once upon a time...

    Apichatpong's cinema is one of experiential motion - journeys of the soul through changing eras, landscapes, bodies and realities. Here we are offered the chance to explore and play and be carried along through an ever-shifting world of real and fantasy, and although this time we aren't granted the luxury of meditation to help us navigate this disorienting world, it's impossible to turn down such an open-hearted invitation from the most generous filmmaker to ever live.…