Spencer Kain

Spencer Kain

Movies are my passion. Film critic, film graduate and journalist watching anything and everything I can.
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Favorite films

  • The Exorcist
  • The Nightmare Before Christmas
  • Black Swan
  • La La Land

Recent activity

  • Cryptozoo


  • Mortal Kombat Legends: Battle of the Realms


  • The Night House


  • The Tomorrow War


Recent reviews

  • Cryptozoo



    “Cryptozoo’s” animation style is one of its biggest positives, even if it takes some time getting used to. It’s distracting at first, but once the trippy, wild visuals start to fulfill the environments and the bizarre animals in the film, it starts to click into place. Not everything works for sure, that animation does look a bit rough in places and it’s themes aren’t delved into fully with its quick runtime. It’s certainly a very unique experience and could be looked upon in years time for its style.

  • Mortal Kombat Legends: Battle of the Realms

    Mortal Kombat Legends: Battle of the Realms


    Not as good as the last Legends animated Mortal Kombat film, but still some of the better MK content we’ve gotten apart from the games. Wild how these Legends films have been better than all of the live action MK films.

Popular reviews

  • Spider-Man: Into the Spider-Verse

    Spider-Man: Into the Spider-Verse


    “That person who helps others simply because it should or must be done, and because it is the right thing to do, is indeed without a doubt, a real superhero.”

    Gonna try to keep this one a little short to prevent me from rambling on about how perfect this thing is but just know every positive thing I’m sure you’ve already heard about this is 110% true. It’s a full on masterpiece and I am absolutely comfortable calling it that…

  • Phantom Thread

    Phantom Thread


    “Kiss me, my girl, before I'm sick.”

    ‘Phantom Thread’ is an intoxicating nose dive into fashion, romance and yes, even the sexually dominant, tension filled unease of power play between two lovers. Call me crazy, but if anything I’d say this was a Paul Thomas Anderson movie perhaps? 

    And that it is, indeed. It’s certainly only a movie Paul Thomas Anderson could pull off with such unbridled craft and panache. The film and the world contained within it is nothing…