Embraces the notion of performance as an embodiment of an alternative persona, one that provides not only an opportunity for expression but also an intersubjective domain where one's identity is at its most malleable. The performer engages in a transformative play of simulations and dissimulations, revealing the subversive potential of appearances that rely on not just the semblance of the self but the resemblance to a given role. Such a performative figure echoes the relationship between spectating and participating. Herβ¦
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Titane 2021
The early parallels between the clinical examination of a roaring engine and the voyeuristic gaze on women's bodies denote the eagerness in exploring the representative dimensions of human corporeality and their malleability. There's enough to suggest a topic on the prominent fetishism imposed upon human bodies, even those that no longer operate on conventional notions of gender, sexuality, or existence. Though such discourse has been better facilitated in earlier works that also pertain to the biomechanical (or biotechnological) metamorphosis ofβ¦
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Throw Down 2004
"I fear not the man who has practiced 10,000 judo throws once, but I fear the man who has practiced one judo throw 10,000 times."
- Bruce Lee, probably -
Peking Opera Blues 1986
probably one of the best hong kong films about asian baby fuccbois, asian baby girls, and a peking duck. also love the ost π₯°
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Demon Slayer: Kimetsu no Yaiba 2019
"Dad, why is my sister's name Rose?"
"Because your mother loves roses."
"Thanks Dad."
"No problem, Kimetsu no Yaiba Episode 19."
