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Film of many rescues, the main one relating horror and experimentation in a direct way. From horror impregnated to the image and how static observation offers different sensations, from fear from the lines of a television device, from the play of shadows and chiaroscuro enriched by the grain of a homemade camera from the 90s. Kyle Edward Ball puts horror cinema and experimental cinema in an inherent journey more explicitly when structural cinema, especially Michael Snow's monumental "Wavelength" is one…
O filme de suspense de Sang-Soo. Não pelo tema e abordagem, mas pela forma. Grass é o Festim Diabólico das frustrações amorosas, das clássicas injeções de soju na mesa de restaurantes e conflitos de diretores de cinema. O modus operandi muda levemente, mas o ensejo é o mesmo. Sang-Soo continua brilhante.
Peele as a mediator between film genre and criticism in a sci-fi that is nothing less than a backlash in the history of cinema, from Muybridge through westerns and sitcoms and which has never left its place as an industry, like a stagnant cloud. And no matter how hard they try, the black knight will not look at this cinema and get away with it.