Should’ve cut out everything in this movie except the dancing and instead made it an arthouse dance short film, featuring a Tilda Swinton who stands around menacingly clapping her hands, and just using Dakota Johnson’s amazing dance double instead of cutting between her and, well.. Dakota Johnson. The choreography and costumes were by far the best things about this movie, which tries so hard to stray from the original that it just strays as a meaningful film all together.