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  • Dil Se..

    Dil Se..


    pure poetry in motion, seamlessly traverses genres which leaves you astounded at his capability – every scene brims with raw, manic energy driven by obsessions, leaving you breathless – mani and santosh sivan will always remain one of the greatest working duos – in the end, are we seeing their love story alone or a prophecy of the future?

  • The Idiot

    The Idiot


    kaul along with shahani has to be one of the few directors who approached cinema as a temporal medium rather than an audio-visual one. dismissing structure, kaul creates a sense of passing of time bound by rhythm with sound and images--there's something very arresting about how kaul approaches spaces especially the negative space of an artist - the whole theatricality negates the conflict based drama giving rise to something that is far more real yet artificial in it's own way - light and shadow dance together giving life to inanimate objects and creates a sensual rhythm which is the key to the movie.