Cameron LJ Green

23 | πŸ³οΈβ€πŸŒˆ | Occasional Cinematographer & Film Director πŸͺ¨ | Odd Photographer 🍁 | Periodic Illustrator πŸƒ

Favorite films

  • The Life Aquatic with Steve Zissou
  • Morvern Callar
  • Tropical Malady
  • Marie Antoinette

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  • Matthias & Maxime

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  • Showgirls

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  • Jackass 3.5

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  • Jackass 2.5

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  • Beasts of the Southern Wild

    Beasts of the Southern Wild

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    Easily one of the most beautiful pieces of filmmaking I’ve ever seen.

    Zeitlin and Court 13 have somehow seamlessly merged the mythical and the real with a beating heart of endurance, love, and courage as an ode to the lives flourishing where we don’t see them. And to think it’s done on such a small independent scale is nothing short of revelatory.

    Wallis gives one of the best performances from a child I’ve ever seen, bringing a strength and heart…

  • Morvern Callar

    Morvern Callar

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    You know that strange feeling after you watch something profound and you just feel present in the moment, as though life just became a bit more clear? This is one of those rare instances.

    Ramsay has cemented her place in my heart as one of my favourite filmmakers. I don’t know anyone else who seamlessly weaves together visual poetry and minimalist storytelling to explore characters and their experiences with the world around them.

    Here in Morvern Callar, grief is shown…

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  • High Ground

    High Ground

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    Unfortunately quite disappointed by this film after such a promising trailer. Some solid performances sadly wasted on an unfocused script, and uninspired direction.

    The cinematography and editing were also at constant odds with each other.Β Very obviously trying to replicate Malick but it could have worked if they committed to it and let it be more loose and lyrical in its structure, instead of resorting to standard editing fare.

    The cast did the best with what they had but sadly it couldn’t elevate the underwhelming character work or provide emotional weight when it was alluded to.

  • Tenet

    Tenet

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    Rarely do we see films of this scale and it's a miracle that Nolan is one of the few directors whose work always feels like an event. This is easily among his best but not without its detractions here and there yet it never manages to outweigh the tremendous highs throughout.

    The cast were brilliant with Washington taking command from the moment he opens on screen until his final scene, channeling an agent determined to ensure the safety of his…