Tiago Costa’s review published on Letterboxd:
The film ended and the credits began to roll. I expected an applause but there was none. I expected hushed talking and the shuffling of feet as people started to make their way out of the cinema. There was none. It was like everybody was afraid to move. Everybody, including myself, was sitting there waiting for more. That, or everybody was just too uncomfortable to be the first one to leave. There was some of that in my motivation to stay in my seat. I was also too embedded in the film to find the cognitive function to stand up and make my feet move.
A man's wife disappears and he is left with the media and police who are trying to point fingers and figure out what happened. I’m obviously going to talk about the film more in depth and while I’m going to be as careful as possible not to reveal anything, you may want to just wait the week and see it for yourself.
This film is totally about manipulation. The way two people manipulate each other in marriage, the way the media manipulates stories to get good ratings, and the way complete sociopaths manipulate their victims to get away with their crimes, all ever so present in this film. The media is most notably scrutinized by Fincher in a way that reminds me of the Amanda Knox circus that we all went through a couple years ago. The media will focus on what they perceive to be the criminal and they will stop at nothing until the reputation of that person is shattered. Since news is basically 24/7 now, you’re going to start to run out of things to talk about real fast, so you sort of coax more outrageous conversation and theory with your guests and all of a sudden your mole hill is the size of Mt. Kilimanjaro. It’s sad that instead of Edward R. Murrow reading the days events to us in an unbiased manner, we have Nancy Grace making Elizabeth Smart cry on television after she just returned from being kidnapped for half her life. The swarm of television crews, the swarm of people who are only reacting because of the media, all exist to further complicate and already complicated situation such as having your wife missing. It’s disgusting and the film did a great job highlighting it.
The film also delves into what makes up a marriage. How much are we willing to give up of ourselves to spend our lives with each other. Should we sign a prenuptial agreement? Does that throw trust out of the window from the beginning? Fincher does a great job balancing the past and present relationship between Nick (Affleck) and Amy (Pike). He tells the story from both sides up until the sides start to crumble and we’re left with the truth. Twists are featured but none seem unearned. I was fully engulfed in the story and didn’t think for a second that what I was seeing was poorly done or rushed. Their relationship just seemed so real to me. There are plenty of marriages that have perfect stories and happy endings. There are also marriages full of lies, resentment, and spiteful anger. Fincher gave us a film in which people play nice when other people are watching but deep down inside, they’re trying to destroy each other. It makes television almost seem like another planet. All of it fake.
The acting in the film was pretty concrete. Besides Pike, nobody gave otherworldly performances but rather performances that fit their character and purpose perfectly. I’ve always liked Ben Affleck. I thought he did an excellent job portraying a person who not only lost his wife, but also had no idea how to emotionally handle such a thing. There were times I felt for him and times I wanted to punch him in the face. Pike was the standout of the film. Getting into her performance too much will give away key plots points so lets just say that she goes through a full spectrum of emotions that she nails perfectly. There were a lot of subtle thing going on with both of these people due to the amount of media exposure the case ot and they handled it perfectly. The supporting cast was also great. Carrie Coon, who should be getting more work soon due to her phenomenal performance in “The Leftovers”, plays Nick’s twin sister Margot. She plays the only truly likable character in the film and also delivers the films funniest lines. Tyler Perry was not only not annoying but actually enjoyable as the superstar defense lawyer who is trying to save Nicks ass. Neil Patrick Harris is, well, you’ve never really seen him play somebody like this. Everybody did their job perfectly to form a truly believable and engaging cast.
Lastly, the film is a joy to the eyes and ears. Trent Reznor & Atticus Ross team up together to deliver another knockout score to a Fincher film. There is a pivotal scene between Pike and NPH that is taken to a whole other world with the score. I was in shock by the end of the scene. That particular scene also showcased why I love Fincher so much. He leaks style into almost every shot and the beginning and ending fit perfectly into a nice round circle which reminded me a lot of Inside Llewyn Davis. It helped create a sense of uncomfortability that couldn’t be shaken off even after I was walking out of the cinema.
It’s one of the better mystery films of the last five years and a front runner for my film of the year. If you are a Fincher film in any way shape or form, this film is for you. Just don’t bring your wife or husband with you. You may see things a little differently by the end.