'Midsommar' would benefit from a disassociation from its A24 horror predecessors. Obviously it shares sufficient connective tissue to the similarly dark family tree, i.e. 'Hereditary', 'The Witch', 'Blackcoat's Daughter', et al - but I think it deserves enough distance from the aforementioned to be respected for the slow-burn nature that separates it.

I've said it before and I promise you I will say it again:
 Praise Be, A24.