wow oh man. cinematic metacognition, starts out examining the world around the camera until all the images start getting too similar in texture & all blur into one unit, then the texture comes into question, all this until the frame becomes the sole unit. this whole thing is just a big act of cinema getting a really good glimpse at its own essential qualities. sort of made me want to relearn all art from the ground up.
somewhere amidst the rubble there lies an interesting moodpiece. its disappointing to see a movie like this, where you can see ideas getting torn to shreds in the editing room. shots that could be fascinating hang around for like 2 seconds while the ugly twitter-vibe-screenshot-shots are just left dangling in the breeze. another movie following in the wake of the 2001 big-geometry-in-space = existentialist form, which to me is handled about as poorly here as it is anywhere else (cemented…