• I Love You, Stupid

    I Love You, Stupid


    Crazy Stupid Love + Silver Linings Playbook for the Netflix-impaired

  • The 40 Year Old Virgin

    The 40 Year Old Virgin



  • La La Land

    La La Land


    Fuck it, it's a musical and I love it

  • Fyre



    It's always nice to have a good easy laugh after an stressful day

  • Star Wars: The Force Awakens

    Star Wars: The Force Awakens


    Many times it feels like an Episode IV remake. Carefully built to hit the right spots at the hearts of all 40+ years old fans.

    Good: the bridge between both trilogies. Kylo Ren. VFX. Mark Hamill. Spaceship skeletons scattered through the desert. And BB-8, of course.

    Bad: All of Rey's story arc. Finn has a great potential but is barely worked on. Incredible lack of enough lightsaber fights. Jakku, which looks exactly like Tatooine and makes me wonder the enormous wasted potential to expand the universe in a different direction.

  • The Texas Chain Saw Massacre

    The Texas Chain Saw Massacre


    Sudden horror. Death as a sledgehammer to the skull. The sound here is as fundamental as it can be in a movie. Typical instrumental soundtrack used as build-up to scare is substituted for industrial and animal sounds, which turns everything into a surreal, visceral force of nature.

  • Kill Bill: Vol. 2

    Kill Bill: Vol. 2


    There's a character complexity developed in Volume 2 that was completely missed by me through my first watch. Not that I didn't get it, it just didn't move me the way the bloodfest in Volume 1 stunned me.

    Now, after almost 5 years, I was finally able to admire the marvelous job Tarantino crafted here (after all, the core of Kill Bill's story is here). The last chapter has, to me, one of the finest dialogues ever written. I already loved both movies, but now I feel I love it way much.

  • Jojo Rabbit

    Jojo Rabbit


    Drastic tone shifts often made me wonder if I should laugh, be scared or be sad. It's not bad, but maybe is just not my thing.

    Nevertheless, hats off to Taika Waititi for having the huge balls to tackle as a satire such a controversial and sensitive theme.

  • The Irishman

    The Irishman


    I feel like the only reason Scorsese agreed do to a Netflix movie was to have the total freedom to make a three and a half hour movie without anyone from the studio telling him to make it shorter.

  • Star Wars: Episode I - The Phantom Menace

    Star Wars: Episode I - The Phantom Menace


    Action-packed first act but tasteless, boring and confusing second and third acts. You can't make a movie intended to expand universe and lore with such a uncharismatic cast. And you can't expect this to be good when Ewan McGregor is one of the main characters.

  • Return of the Jedi

    Return of the Jedi


    The perfect ending to a perfect trilogy, the quintessential adventure franchise. Impeccable world-building and character development.

  • Uncut Gems

    Uncut Gems