Deborah Kerr. The direction. The cinematography. The sets. *That* shot of Sister Ruth coming through the door at the end.
This is a remarkable achievement of a film *however* I couldn't help but get caught in the colonialism of it all which I'd never heard mentioned of this film.
Firstly, Jean Simmons is in full-on brownface throughout, as are a few other minor characters. But what stood out for me even more was the exemplary presentation of the sisters…