Ingmar Bergman que tá roteirizando a minha vida.
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Belfast 2021
In an attempt to reproduce a story through the innocent perspective of a child, the director exacerbates aestheticization, sometimes proving his inability to elucidate or probe complex realities in a babelic setting.
Despite the sympathetic photography, it struggles to sustain itself on its main theme, the conflicts that erupt in a civil war in Northern Ireland. With no clear direction, the alleged duality, absent of contextualization and historical depth, doesn't go beyond superficiality and Manichaeism.
Semiconductor plans unfold in political, social or religious discourses. However, they are sterilized debates, replaced or eclipsed by episodic childishness - a recurring crutch used in discourse.
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Safe 1995
Modern life demarcates the inability to perceive one's own existence. The insatiable emptiness that makes life a burden of unhappiness. From the apparent illness, used as an internalization of anguish and anxiety, multiple realities are created, cemented in frigid elements. All the retraction forced by the character to connect with reality and her own feelings is transparent. And it announces the claustrophobic approach.
Loneliness makes the premise global. Part of the narrative indicates the suffocation generated by the surrounding environment,…
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Cinema Paradiso 1988
Repeatedly expressions, passions and confessions produce identification with the describe life, full of style curious and magic. The experience reactivates our own latent cinematic reminiscence, where the idyllic springs out into living personification. Stories and scenes give rise to fascination, seduction in the clear mind, servile to the extraordinary universe. The Cinema Paradiso is the ambience that offers escape from reality, dry and monotonous. Through the verb the microscopic context assumes sometimes comic sometimes revolutionary acts.
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Incendies 2010
Roots and belonging; interweaving of timelines transform the investigative character of the plot into an instigating and engaging filmic experience. It permeates the plot gradually and becomes lodged in the very constructions of the scenario. The indolent relationships guided by initial incomprehension are scrutinized within the palpable and progressive recognition of events.
With brutal and tragic content, the story descends into indigestive contours. Violence and its consequent destructive potentiality become a character in itself. It touches its characters/victims, dumbing them…